DANDY SPACE LOG 2-2 & 2-3

Season Two, Episode Two - There's Music in the Darkness, Baby

Dandy is invited to a party on an alien planet by his biggest fan. It does not go as he'd hoped.

We're Alien Hunters, Baby:

The Ukulele Man: A truly bizarre alien, the Ukulele Man is the only one of his kind. His species is born from a tree on a jungle planet, only one of them existing at any time. Physically, he appears as a skeleton with a wooden face, incapable of expression. The Ukulele Man is desperate to show people the joy and laughter in his heart. By playing his ukulele, he puts his victims into a trance, capturing their smiles forever by turning them into statues. He keeps them in his "smile collection," and occasionally tries on a body to see if the smile suits him.

Capybarians: Humanoid capybaras native to the Ukulele Man's planet. They like to chew, but they seem pretty reasonable.

Mantisians: Vicious insectoids that hatch from pods and chase Meow and QT while they're looking for Dandy.

Wiggians: Even odder aliens that chase the duo, Wiggians look like living toupees and emit bolts of electricity as they hunt for a scalp to call home.

Phenomenology, Baby: The River of Time flows from past to future through the upper atmosphere of the Ukulele Man's planet. A pororoca is a huge wave, caused by tidal forces acting against the flow of a river (the Amazon is prone to these). A large, red "satellite planet" acts upon the River of Time, causing a pororoca in its waters that reverse the flow from future to past. Harnessing the pororoca can allow travel back in ones own timestream.

He's Dandy, Baby: Doesn't take kindly to being made fun of when he misunderstands things, and flounces off when Meow and QT enter him into the Misunderstanding Grand Prix. Which, unbeknownst to him, he wins. He receives a party invitation from the Ukelele Man, who has decided Dandy has the greatest smile in the Galaxy after seeing a picture of him at BooBies. He also misunderstands that, immediately assuming the sender must be a beautiful woman. He does, however, understand the implications of the River of Time, and, enraged by Ukulele Man's treatment of his friends, surfs the pororoca to take them back to a point before they were petrified. Even after battling the Ukulele Man, he shows compassion for him in his last moments.

He's Not a Space Cat, Baby: Starts out the episode in a stupid argument with Dandy over a song rhythm, and then gets distracted long enough for him to leave in the Little Aloha. Once he realises Dandy is gone, he and QT go searching for him at considerable peril.

He's Just a Little Obsolete, Baby: His internet seems to be working well now. He's also seemingly fixed the teleporter - and it has a remote control. Both QT and Meow are captured and frozen by the Ukulele Man.

There's Bad Guys Too, Baby: Dr. Gel is infuriated by Dandy's continual escapes, and decides to use the River of Time to turn back the flow of history and capture him at an earlier point, turning a defeat into a victory. He really just misses his mum, though.

The Bottom Line, Baby: The perfect balance between strange, funny and touching, this is a cracking adventure with a memorable one-off villain. One of the best episodes of the second season.

DANDY SPACE LOG 2-1

A merry companion is a wagon in space, baby - and there's no better companion than Space Dandy, that Dandy guy in space. Not before time, I'm restarting my episode guide, covering the second season!

Season Two, Episode One - I Can't Be the Only One, Baby

After pulling on a cosmic string, Dandy and crew are thrown into a series of parallel universes where they meet multiple versions of themselves.

They're Dandy, Baby: The prime Dandy claims to have been a space trucker long before he hunted aliens, although he admits his memories are fuzzy. One of his many alter egos in the multiverse is (still) a space trucker, a big guy with a tan and a blond perm who has much the same outlook as the prime Dandy. He gets on a lot better with this Dandy than the first one he meets, a blue-haired show-off (even by Dandy standards) who's an incomparable alien hunter with a 100% capture rate. This version lives in what looks like a Studio Gainax/Evangelion styled universe.

Among the other millions of Dandies in the multiverse there are:

Manga Hero Dandy - an insufferable, hyperactive lunatic who screeches like Michael Jackson and appears to have stepped out of DragonBall-Z. (He rides a cloud like Sun Goku from DragonBall, or, if you're of an older vintage like me, like Monkey from Monkey, or further, all the way back to Journey to the West.) Except he's fighting the Demon King by hunting for people with star-shaped birthmarks, which seems to be a reference to the epic JoJo's Bizarre Adventure.

Mobile Suit Dandy - clearly a parody of the Gundam series, this Dandy is a pilot for a giant mecha suit.

Space Ninja Dandy - a Gatchaman/Battle of the Planets science ninja styled Dandy, whose team use Naruto-inspired attacks.

Big Dandy - a gigantic Dandy in a hat, riffing on the Titans from Attack on Titan (but not as grotesque).

Triangle Dandy - things get weird with Dandies that aren't even vaguely humanoid appearing, including this one, which is copied from the illustration of a Master from The Tripods, as painted by Wayne Barlowe in Barlowe's Guide to Extraterrestrials.

A boy genius Dandy who is the first version who get a handle on what's going on - in fact, he expecting his alter egos to turn up.

There's also Space Inspector Dandy, She-Dandy, Bear Brick Dandy, Mascot Dandy and many others. Finally, there's the depressed Emo Dandy, who's version of QT and Meow have driven him to existential despair.

It might be significant that the first cosmic string that appears is poking out of Dandy's pompadour.

They're Not Space Cats, Baby: As with the infinite Dandies, there are infinite Meows, including, but not confined to, a giant armoured Meow (who travels with the successful alien hunter); a woman with a cat's tail (who was returned cargo of Space Trucker Dandy); a pink and blue pig, for some reason (with Manga Hero Dandy) and one who is a Schrodingerian (see below). Emo Dandy is plagued by a Meow who is a cyborg that simply repeats the same electronic mew noise over and over again.

They're Just a Little Obsolete, Baby: And thus, with QT. Most of the QTs are robots, but not all. Space Trucker Dandy's QT is green and was unlabelled cargo. Boy Genius Dandy is protected from his version of the Gogol Empire by a QT that is comprised of two gigantic robot skeletons. Finally, Emo Dandy is plagued also by a QT who is a fat old man in a pink unitard who insists he's a robot.

The Scarlet Woman, Baby: Scarlet takes exception to Dandy trying to pass of a regular cow as an alien, and takes the team aside for a chat. She suggests they try looking for a new line of work, and gives them a copy of Space Career Change magazine (naturally, most of the jobs require a degree). Frustratingly, we never get to meet any of Scarlet's alternative universe selves.

Let's Get Our Asses to BooBies, Baby: When all the Dandies arrive in one universe, they naturally all go to BooBies. Honey can tell there's something somehow Dandyish about them all, and thinks they must be siblings. Alternative Honeys include the girlfriend of the super successful Dandy (who has impressive underboobs), and one who is a ninja in the Space Ninja team. As the multiverse begins to collapse, BooBies becomes staffed by muscular hunks in tiny outfits.

There's Bad Guys Too, Baby: We briefly see the alternative versions of Dr Gel and Bea who are hunting Boy Genius Dandy. Dr Gel is an actual gorilla and Bea is a carrot.

We're Alien Hunters, Baby:

Schrodingerians: Aliens that look like cats but have a quantum defense mechanism. They hide in a box and you can't tell if they're alive or dead until you look. Boy Genius Dandy's Meow is a Schrodingerian.

The Gorillian Empire: Boy Genius's universe's version of the Gogol Empire.

A Cow: Just a cow.

Phenomenology, Baby: A cosmic string, or dimensional fray, is a crossover point between realities in the multiverse. Every point in space is an intersection point with another point in space so cosmic strings can potentially be quite common. Unlike the string that Dandy pulled in the first episode, pulling the strings here pulls him not across space, but into alternative universes. When trying to take Boy Genius Dandy and his crew along with him, Dandy's pulling of the string causes all the Dandies met so far to appear in his own universe. More and more appear, causing the gradual collapse of causality and reality, with inconsistencies appearing everywhere. Even the Narrator is duplicated (which, given later revelations, is curious). Ultimately, Dandy repairs the multiverse by returning all Dandies to their respective realities; however, Emo Dandy is left as the star of the series.

Don't Quote Me, Baby: "I assure you, we have no intention of touching your balls."

The Bottom Line, Baby: Even for a show so full of references, this is something else. "I Can't Be the Only One, Baby" is basically made of references, and as such what I've listed above is only the start of it. Even checking my thoughts up against TV Tropes, I simply don't know enough about anime to even guess at how many shows are being parodied and referenced here. Even so, this is a tremendously fun episode, and easily a favourite. It also paves the way for the cosmic revelations concerning Dandy in the final episode. 

Latest news from interstellar space

So, it turns out there's a huge galaxy sitting right next to ours. Well, huge in terms of dwarf galaxies. Crater 2 has an effective half-light radius of 1100 pc, so that makes it at least 7000 light years across. It's the fourth largest satellite of the Milky Way (after the Magellanic Clouds and SagDEG), orbiting at relatively close distance (only 120 kpc), so it's quite astonishing that it's remained undetected until now. It is, however, remarkably dark - one of the dimmest galaxies ever seen. A vast collection of stars just swinging past ours for billions of years and we've only just noticed. It makes you wonder what else is out there; researchers are already planning ways to search for dark galaxies.

There's also the discovery of a new category of exoplanet: superearth-sized bodies which have been stripped of their atmospheres by close proximity to their parent star. If confirmed, these irradiated desert worlds would fill a gap in the variety of exoplanets already known, and give us a look at what might lie in wait for our own Earth in the distant future as the Sun expands.

Then there's the spectacular news that Stephen Hawking is teaming up with a wealthy Russian eccentric to begin research into a new space programme. It's summarised here at the Guardian, but the upshot is that we could be receiving data directly from Alpha Centauri in the next few decades. Hawking proposes that research and technological development could make the proposal, involving a swarm of tiny spacecraft accelerated to extreme velocities by laser beams, could be feasible in ten to fifteen years.

If successful, the starprobes could reach up to a fifth of lightspeed, allowing at least some of them to make the trip to Alpha Centauri in a mere twenty-five years. Once there, they will begin transmitting data back at lightspeed, meaning another four-and-a-half years before we receive updates. Sadly, Hawking will never get to see the fruits of the project, but a future generation of astrophysicists could be studying that data for years. If successful, the project could also revolutionise exploration of our own solar system - searching for the supposed ninth planet, for example. (Personally, I'll believe that one when there's some real evidence.)

REVIEW: The Black Archive 1 - Rose

There's no shortage of programme guides and companion pieces to Doctor Who - I own a fair few of them - but occasionally a volume or series comes along which adds something special to the arena. The Black Archive is a new series of analytic books intended to take individual Doctor Who stories and engage with them in greater depth than has usually been attempted, with a number of notable fan authors taking an academic approach to the subject. The first four volumes take on Rose, The Massacre, The Ambassadors of Death and Death in Heaven, covering the breadth of Doctor Who history from Hartnell to Capaldi.

The task of launching the series goes to Jon Arnold, who previously co-edited the well-received Shooty Dog Thing: 2th and Claw, as well as contributing to numerous books and fanzines, both with fiction and non-fiction. The obvious choice of story might be An Unearthly Child, but Arnold instead takes on the episode that relaunched the series, describing it as "the most radical episode ever broadcast under the title Doctor Who." He makes a compelling argument for this throughout the book, but accepts that Russell T. Davies built on what came before. Arnold makes some fascinating comparisons between An Unearthly Child, Rose and the 1996 Doctor Who telemovie - a launch, a relaunch and a failed relaunch - and looking at how each approached the task. The book explores Rose in the context of Doctor Who as a long-running series, and in the context of the TV and cutural landscape of 2005 - already a strangely different world to today. While mostly looking from the perspective of storytelling and television, Arnold does take the occasional look at the mythology of the series; there's a fascinating footnote where he describes the ninth Doctor as "a kind of sacrifice to the Doctor's conscience" in light of the events of the Time War and The Day of the Doctor.

This is a book, and a series, aimed at those already steeped in Doctor Who, and as such, the initial passages, which summarise the plot of Rose and its development, seem rather unnecessary. Once it gets to the meat of it, though, this is an excellent exploration of a groundbreaking episode, and a fine start to what promises to be a remarkable series of books.

You can buy The Black Archive books from Obverse Books, in electronic or physical formats.

REVIEW: FLASH 2-16, SUPERGIRL 1-16 & 1-18

TRAJECTORY

A pretty standard Flash episode, with some moving forward of the overall plot to make it worthwhile. Caitlin continues to be not entirely unnecessary by allowing one of her old friends to enter the plot as a one-off villain. Trajectory is pure, by-the-books Flash villainery, with the slight twist of being the first female speedster on the show. Handily, she not only sets up how whiney Jesse can become Jesse Quick, the lady Flash - with a hastily vacated outfit to boot. Good fun times on the dancefloor with Cisco, while the Iris subplot grinds along like the world's most boring freight train. Wells, and his single-minded obsession with protecting his daughter, continues to be the core of the programme.

FALLING

I think I miss a lot of the nods on this series due to not being American I take it The Talk is a major show in the States? It looks dreadful. Anyway, this is a pretty spot-on episode of Supergirl, with the lady herself turned into a class one bitch by red Kryptonite. Why is it that "evil" versions of female characters are always characterised as being confident, sexually and otherwise? Aside from this slightly questionable aspect of a usually feminist series, this is a fine story, with Benoist on top form. It's good to see the anti-Supergirl backlash arrive with a good reason, and you can understand Kara lashing out at Cat even considering the Kryptonite effects. Another fun bit of DC lore in bringing a Khund in as an alien heavy. Why is Maxwell Lord still in this? His whole purpose here is to make the Kryptonite, be annoying for a bit, then come good for a while. Exciting moments as Hank reveals himself to all as the Martian Manhunter, setting up some sinister developments in...

MANHUNTER 

Too much of this episode is tied up in the Kara/James/Lucy triangle (it was a quadrilateral, but now Winn is too busy fawning over Siobhan). At least this moves things on in that area, because Jimmy isn't interesting enough to maintain this much of a romantic subplot for much longer. Much better is the evil side of the US military storming the DEO and taking both Manhunter and Alex into interrogative custody. Big revelations in this episode, not least concerning Jeremiah Danvers maybe possibly being alive, the existence of the horrific labs of Project Cadmus (where Superboy is created in the comics) and Kara coming out as Supergirl to Lucy. Less enthused by Siobhan's bitch rampage and her sudden development of superpowers, though.

WORLDS FINEST

It's crossover time! This is just lovely, bringing TV's too most adorable superheroes together at last. It's seems strangely low key for such an event. While having Siobhan/Silver Banshee and Livewire team up to take on Supergirl constitutes a fairly significant threat, having the greatest heroes of two worlds join forces would suggest a cataclysmic battle was on the cards. As it is, it looks like that'll be coming next week (great cliffhanger). "Worlds Finest" boasts some wonderful chemistry between its lead and its guest. Winn gets to be more appealing than he has since day one by basically being Cisco for the duration of the episode, while James almost becomes interesting - and at least Kara's moving on up in that direction. There are some wonderful Cat moments, a smutty joke, a namecheck for Bernie Sanders and the cutest "regular folk to the rescue" moment ever. Although being stopped by firemen does make both Livewire and Silver Banshee look a little feeble, and by extension, Supergirl and Flash look less impressive. It doesn't matter though, this is a joy. Fun fact: Mariah Carey exists both on Earth-One and Earth-Three (which is what I'll call Supergirl's world until told otherwise). There's a nice bit of fun-poking at the CW too. This episode has in spades what Batman v Superman lacks: simple fun. Watch with a Gleek for the full effect.