One of those occasions when the original looks better than the remastered. |
2.02)
Who Mourns for Adonais?
or
Captain
Kirk vs. the Greek Rapist
Planets
visited: Pollux
IV in the Beta Geminorum system (a
rare use of both traditional and Bayer names for a system in the same
episode here), is a class-M planet. Like its neighbour Pollux III, it
is expected to be inhabited.
Stellar
Cartography: Pollux (Beta
Geminorum) is one of the two twins of the constellation Gemini. It
lies approx. 34 light years away, and is confirmed to host at least
one planet.
Alien
life forms: Apollo,
the last of the people of Pollux IV, a species of typical humanoids,
except for their possessing of a special organ in their chests that
allows them to channel vast amounts of energy. Apollo can direct this
energy psychokinetically, growing to enormous size, zapping Scotty
and destroying the phasers, creating storms, and attacking the
Enterprise.
He grips it in his “hand,” a huge forcefield, and projects his
image onto the viewer.
Five
thousand years ago, the Polluxans visited Earth, where there great
abilities meant they were taken as gods by the natives of Greece.
They revelled in this worship, but eventually left as humanity moved
on. Apollo is now the only one left, the rest of his poeple having
sublime themselves into oblivion.
The
dryworm of Antos IV is capable of channelling energy in a similar
fashion.
Captain
James T: Kirk has no time for
Apollo; there's a clear rivalry between the alpha males here. He's
willing to risk losing his life or those of some of his team if it
gives the Enterprise to
escape. To this end, he gets everyone to mock Apollo in order to
react and lose his control.
Green-Blooded
Hobgoblin: Gets relatively
little to do this episode, staying on the bridge since Apollo doesn't
want him down on the planet (he reminds him of Pan).
The
Real McCoy: Is more concerned
with keeping the team alive than getting one over on Apollo, but
follows Kirk's plan.
Great
Scott: Scotty is the only male
character who actually comes off pretty well in this episode, showing
genuine attraction and concern for Lt. Carolyn Palomas, leaping to
her defence when she is approached by Apollo and comforting her after
she is attacked.
Future
Treknology: Apollo draws his
power from a structure on the planet's surface. The Enterprise
is
able to penetrate the force field with phasers when Apollo's energy
is stretched thin and destroy it from orbit.
Cliche
Counter: Chekov spouts some
great pro-Russia nonsense, including rebuking Apollo's claim to be a
god with “And I'm the Tsar of all the Russias!” and claiming that
the Cheshire Cat was actually from Minsk. Scotty also comes out with
some good ones, such as “You blood-thirsty Saracen!”
Future
History: “Humanity has no
need for gods.,” says Kirk. “We find the one quite adequate.”
Clearly, this is meant to be a Judeo-Christian future.
Sexy
Trek: Lots of bare flesh on
display in this toga-fest. Palomas is swept away by Apollo's faintly
misogynistic praise, although she is also brave enough to stand up to
the god. However, and there's no getting around this, Apollo later
rapes Palomas when she spurns him. Of course, we don't see this, but
the storm-swept ravishing scene is unquestionably intended to
represent that. Palomas returns from her treatment looking seriously
distressed.
The
Alternative Factor: The
original ending, preserved in James Blish's novelisation, revealed
that Palomas had been made pregnant by Apollo. Peter David's Star
Trek: New Frontier novel
series includes a character who is the descendent of this child as a
major character, and the rest of Apollo's people, “the Beings,”
later turn up to claim him. An unofficial sequel to this episode,
“Pilgrim of Eternity,” was made in 2013 as part of the Star
Trek Continues fan
series, featuring Michael Forest back as an aged Apollo.
Title-Tattle:
Commonly
thought to be just a misspelling of Adonis, the title of the episode
is actually taken from the poem Adonais
by
Percy Shelley.
The
Verdict: It's a well-made,
well-acted episode, but this is very, very hard to enjoy. There's a
nasty, misogynistic streak to this script. While the rape of Palomas
is perfectly in keeping with the original Greek myths – the gods
were frequent perpetrators of this – it is dealt with in such a
dimissive manner by the other male characters that it is impossible
to believe that the writers have considered the seriousness of it
fully. Palomas is presented as an intelligent, valuable officer but
instantly falls in love with her abusive god-boyfriend. At least
Uhura gets some minor development, standing in for Scotty in fixing
the comms system, and Scotty himself is a gentleman. Both Michael
Forest and Leslie Parrish are excellent in their guest roles. Other
than that, though, this is tough to like. And at the end of it all,
we're seemingly supposed to feel sorry for Apollo.
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