As either the seventh or ninth film in the franchise (depending on whether you count the Alien vs Predator crossovers), Alien: Romulus is up against a huge amount of nostalgia and expectation. It’s unlikely any new instalment will ever reach the heights of 1979’s Alien or 1986’s Aliens, yet the lukewarm reception of Ridley Scott’s return with his two prequel films means that Romulus is needed to revitalise the franchise.
Fortunately, it manages that, with a few caveats. Romulus is undoubtedly the best Alien film in years, balancing sci-fi and horror in a way the series hasn’t really managed since Aliens. It’s visceral, violent and unsettling, although less gorily over-the-top than I expected from Evil Dede Alverez. His script, with his regular collaborator Rodo Sayagues, is a decisive critique of the horrors of capitalism and unchecked growth. Setting the film between Alien and Aliens allows the writers to explore a largely unknown period in the series’ future history, giving us a story connected to Ripley’s without impacting it directly.
On the other hand, Romulus’ reliance on knowing references and slavish recreation of the past limits it originality. We have a new cast of characters to follow and root for, an effective updated design for the Alien (now officially named onscreen as Xenomorph XX-121) and a new corner of the universe to explore, yet we have an antagonist almost literally resurrected from Alien’s history and the repeated use of fan-pleasing old lines, regardless of whether it makes sense in context. Much of this is to be expected; we are, after all, living in the age of nostalgia. What I didn’t anticipate was the writers picking up a plot thread from Prometheus, unfortunately one that lacked much logic or coherence in the first place. This comes to the fore in the final act, derailing an otherwise impressive movie.
What can’t be faulted is the cast. While we have an uniformly young and beautiful set of protagonists – no room for the weird and wonderful in this future – they are all extremely impressive in what are solidly well-written roles. The characters are believable in a way we haven’t seen in this franchise for years, making mistakes and rash decisions that we could see ourselves making in the impossible situation in which they find themselves.
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