Sunday 28 December 2014

WHO REVIEW: 8-13) Last Christmas

Christmas is a time of mixed emotion, when joy, love and frivolity are tempered by loss, heartache and inequality. The best Christmas stories have this bittersweet balance. Christmas is also a time for ghost stories, a tradition that has risen again in recent years. So Doctor Who should be perfect for Christmas, and the status of the annual Christmas special as a modern-day tradition would support this. However, as many of the Doctor's festive adventures have been mediocre as have been fantastic, and even the best, (which is, clearly, A Christmas Carol), are rarely as good when watched at other times of the year. With its tenth Christmas special, however, Doctor Who delivered a genuinely gripping, moving, frightening and funny adventure, one that will surely stand up just as well when watched when the nights have grown shorter and Christmas indulgence is far from our minds.

Last Christmas follows on very closely from the main run of Series Eight. It is, after all, mere weeks since the Doctor faced down the Mistress and Clara lost Danny, so to play this as a separate event would have seemed off. The events of Death in Heaven were uniquely traumatic for both the Doctor and Clara, and to shrug that off in favour of a festive knees-up would have felt false. It's Christmas; people who love each other get together and have arguments. Perhaps Clara and the Doctor overcame their mutual lying a little too quickly, but the underlying tension of their parting, and the reasons behind it were still simmering, most prominently with the unexpected presence of Danny Pink.

A classic sci-fi base-under-siege story that riffs on Alien while chucking in layers of dreams and fantasies and has Father Christmas as its special guest star is not something many series could get away with. Indeed, it's not something that Doctor Who could have got away with until recently. The Santa-robots from the first two Christmas specials felt silly enough at the time. It's hard to imagine the series actually running with a full-on Santa episode even as recently as two years ago. Last Christmas does see Steven Moffat using his usual clever tricks and tropes to craft a spooky story, with “Don't blink!” now having evolved into “Don't think!” and monsters you cannot look at instead of ones you must. However, by taking a tried-and-tested approach to Doctor Who as its foundation, it's free to go off in wilder and more ridiculous ways than ever before. Certainly one thing this last year of Doctor Who has had in abundance is confidence. They might not have pulled everything off, but the production team have had some guts in trying bold and strange new things, particularly since the halfway point of the series was reached. Last Christmas sees them at their most confident yet.

It's also very hard to this episode working as well with another Doctor. Eccleston could have pulled it off, if it he could have taken it seriously, but both Tennant and especially Smith would have been completely unsuited to it. They would have been thrilled to see Saint Nick, bouncing around the set and telling him how brilliant and beautiful he was. No, this needed the most grounded, most bad-tempered and most cynical Doctor to make it work. As well as the seething rivalry between these two fantastical old men, the twelfth Doctor makes Father Christmas work as a character by taking him seriously (well, just seriously enough). With Capaldi giving him credence, we can sit back and accept that Santa is part of this episode. And sure, it's great seeing grumpy-faced Twelve growl at Santa Claus and piss on everyone's parade when they think they're free, just as it's a joy to see him give in to the nonsense and fly the sleigh. (I have to admit, while I'm getting more and more Twelve-like as I get older, I'm still an overexcited Eleven when it comes to Christmas. I just sleep through more of it than I used to.)

Telling a story that's almost entirely set in dreams is a risky approach, of course, and it's hard not to make the audience feel that they've been cheated. This is precisely the problem that affected the previous episode to try this, Amy's Choice, but where that failed, Last Christmas succeeds because it maintains its threat. Indeed, the dream itself is the threat, linked precisely to the slow death of the characters as the Dream Crabs digest their brains. This is supported by some genuinely unpleasant nightmarish imagery, not least the flickering tentacles of the Crabs themselves, or their slimy carapaces covering their victims' faces. Indeed, this might be a little much for 6.15 on Christmas Day, when young children are still fully charged on festive excitement. I sat down to watch this with my best friend's six-year-old son, and he lasted about fifteen minutes before declaring he was bored and wandering off. It was only the next morning that he confessed that he was too scared to watch it. It only took a little reassurance that none of it was real, of course, and that it's fine to be scared and it can be fun, but even so, I do wonder if perhaps this was a little strong for its slot.

On the other hand, it has Nick Frost as Father Christmas. While trailers did suggest that jolly Saint Nick might potentially be the villain of the piece, happily this was not the case, and while Frost is indeed a gobby and confrontational Santa, he is also a courageous and reassuring one. The storming of the polar base by Santa and his trusty elves, their entrance heralded by a phalanx of slinkies and toy robots, has to be one of the most audaciously absurd and wonderful in Doctor Who's history. And anyone who thinks the joke with Rudolph's nose isn't funny is a misery. That was bloody hilarious. Still, none of this could have worked without Nick Frost (truly the perfect name for the man behind Father Christmas), along with Nathan McMullen and Dan Starkey (finally recognisable outside of his Strax makeup). Frost is capable of standing up to Capaldi's Doctor while balancing the humour and threat of the scenes he appears in. No mean feat.

All of the cast are excellent here, though, from Natalie Gumede's no-nonsense head scientist Ashley to Maureen Beattle as the pragmatic elder Bellows. It's lovely to see Michael Troughton finally appear in his father's show, after many appearances by brother David, even if his character does get the short end of the stick when it comes to brains and decorum. (Now, let's get Sean Pertwee in series nine, yeah?) Samuel Anderson provides a truly beautiful coda for Danny, far better and more moving than the misjudged angel moment in Death in Heaven. It is, however, Faye Marsay who steals the episode. Shona is cute, silly and not particularly competent, and feels so real that she absolutely grounds this fantasy-based episode and all that it features. Having spent the bulk of the episode making us adore her, and desperately trying to get the other characters to like her, she wakes up in a scene of heartbreaking loneliness. It's the scene that best embodies that bittersweet quality of Christmas and it's the one that has stuck with me long after the Dream Crabs have lost their creepiness. Judging by the reaction on the interwebs, there hasn't been such a call for a character to be raised to companion status since Carey Mulligan appeared as Sally Sparrow. Let's hope we see her again. (IMDB also informs me that it's Marsay's birthday on the 30th of December Happy birthday Faye!)

As of yet, though, there's no vacancy for a companion. I'm of two minds concerning Clara's staying on. Clara's character has improved enormously over the last year, now that she is free of the “impossible girl” baggage, and this in turn has allowed Jenna Coleman to improve her performance. She has been genuinely excellent throughout Series Eight, and I'm looking forward to seeing how Clara and the Doctor develop their relationship in the ninth series. On the other hand, he has been part of the show for a long time now, and there's a real risk of it becoming stale. Especially considering that Clara has been living her own life this year, she would perhaps work better as a Martha-style occasional companion. Last Christmas boasts some of her best performance, particularly her finally bidding fairwell to Danny. It is, however, that beautiful scene with the Doctor that shows both Coleman and Capaldi at their best. The Doctor finally returning to Clara, sixty years too late, not even registering her age but helping her celebrate on last Christmas... it's truly beautiful, and perfectly reflects the inverse scene in The Time of the Doctor, right down to the Doctor helping Clara pull a cracker. It works so perfectly that it's hard to imagine that Clara's eventual departure will work anywhere near as well. In fact, the episode really should have ended there, however well the final rug-pull works. Indeed, I think it's pretty clear that in the initial treatment this was how it ended, bookmarking Clara's story, but after Coleman's last minute decision to stay a rewrite was necessitated.

Despite this, Last Christmas is one of the best Christmas specials Doctor Who has produced, and also a damned fine episode of the series as a whole. It may not be the end that Clara deserves, but it could be a great new beginning.

Monday 15 December 2014

Those Marvellous Captains

Two of the upcoming comic-inspired movies I'm most looking forward to are Captain Marvel from Disney/Marvel, and Shazam from WB/DC. Both star a superpowered character who goes by the name Captain Marvel, although the hero of Shazam might end up being called Shazam. Understandably, there's a little confusion regarding the name "Captain Marvel" and how it relates to various characters. Not only have there been various characters in both the DC and Marvel universes named Captain Marvel, they have generally also gone by various other names. There are also various Marvelmen, Marvel Boys, Marvel Girls and Ms. Marvels, not all of which are related to the Marvel comic publishers. How to make sense of all this? Well, here goes:

Fawcett, National and DC

The original Captain Marvel was the star of a strip published by Fawcett Comics, his initial apperance being in issue two of Whiz Comics in 1940. At first glance, Captain Marvel was a Superman rip-off, and it was certainly the success of National Comics' Batman and Superman comics that led to the creation of Whiz Comics and its characters. The origin of Captain Marvel was entirely different, however. He was teenager Billy Batson, who encountered the wizard Shazam, who granted him the power to transform into Captain Marvel by uttering the word "shazam!". The magical incantation granted Billy the wisdom of Solomon, the strength of Hercules, the stamina of Atlas, the the power of Zeus, the courage of Achilles and the speed of Mercury. He had very Superman-like powers and appearance, and yes, this did eventually get Fawcett comics into trouble. However, during the 1940s Captain Marvel's adventures were the best-selling American superhero comics of all, outselling his inspiration. During that golden era, a whole Marvel Family was created, including Captain Marvel Jr (really the young boy Freddy Freeman) and Mary Marvel (Billy's twin sister Mary). While Mary got her powers from saying "Shazam!" like her brother, Freddy had to say "Captain Marvel," so was always a second-tier sidekick to the true Captain Marvel. There was also a short-lived spin-off title called The Marvel Family, which featured other, non-powered members of the Marvel family, plus Marvel Lieutenants and even a Marvel Bunny. 

By 1953, however, the tide was turning. National Comics was now Detective Comics Publishing (later DC Comics), and a lawsuit between DC and Fawcett over Captain Marvel's similarities to Superman resulted in the cancellation of the line. DC eventually required the rights and finally complete ownership of Fawcett's stable of characters, and made plans to bring back Captain Marvel as one of their own heroes - one of the few who could go toe-to-toe with Superman. Various attempts to revive the character in the 70s and 80s, including an alternative version named Captain Thunder, had not been very successful, but in 1991 the graphic novel The Power of Shazam! reintroduced the character for good. Captain Marvel has survived the many reboots of the DC line, and still exists, with a revamped backstory, in the New 52. 

The problem, of course, is that during Billy Batson's period off the stands, Timely Comics, publishers of such characters as Captain America and the Human Torch, has changed their name to Marvel. To protect their copyright, Marvel created their own superhero named Captain Marvel, who premiered in Marvel Superheroes in 1967. After this, all the new DC Captain Marvel products were sold under the name Shazam! By 2011, the character had stopped being referred to as Captain Marvel even within the comics' story material, and was now known as Shazam (formerly the name of the wizard). While many fans still refer to him as Captain Marvel, this does fit with a proposed future mythology for the character, in which he will one day become the new wizard Shazam and choose a new Captain Marvel. Captain Marvel Jr, for his part, split from the Marvel family for a time and changed his name to CM3, while the New 52 version wishes to be known as King Shazam. There are other Captains Marvel in the DC multiverse, as well. One of Batson's most nefarious enemies is Black Adam, an evildoer who also wields the power of Shazam (and who will be played by Dwayne Johnson in the upcoming movie). There's also a version of the character on the parallel Earth-3, only in this version of events, it is Lex Luthor who is granted the power, whenever he says "Mazahs!" Really.

M. F. Enterprises

Between the Fawcett and Marvel iterations of Captain Marvel, a minor publisher named M. F. Enterprises created their own short-lived character by the same name. He appeared in four issues of his own self-titled comic in 1966-7, and two issues of the even briefer Captain Marvel Presents The Terrible Five. This character was a "Human Robot" (read android) whose background was otherwise pretty identical to Superman's, while his powers were odd to say the least: he could detach his body parts by shouting "Split!" He also had more regular abilities like laser eyes and a hyper-intelligent computerised brain. This Captain Marvel took on the secret identity of Roger Winkle, a mild-mannered reporter, no less, while his sidekick was the young Billy Baxton.

Given that his name clashed with both Marvel and DC properties and that his background, alter ego and villains were direct rip-offs of DC characters, it wasn't long before this Captain Marvel was put out of business. He did, however, make a brief cameo in a 1997 issue of The Power of Shazam!

Marvel Comics

When Marvel pinched the rights to the character name, they began a series of characters called Captain Marvel, a legacy title that has been handed down and that, unlike Captain America, say, has no one character who dominates its history. The first Captain Marvel is actually called Marr-Vell, and is a member of the alien race the Kree, sent to Earth to monitor them only to eventually break away and ally with the human race. In a grim turn of events, Marr-Vell died of cancer in the graphic novel The Death of Captain Marvel. The second Captain Marvel was Monica Rambeau, a character created in 1982 and, unusually, a black female superhero. Rambeau was bombarded by cosmic energies, granting her the ability to convert to electromagnetic energy, and allowing her extreme speed, intangibility, energy blasts and so on. As Captain Marvel, she led the Avengers for some time.

Marr-Vell's son, Genis-Vell, became the third Captain Marvel, and after some initial friction, Rambeau conceded the name. She has since been known as Pulsar and Photon (neither of which is a name unique to her, because that would be too simple) but now goes by the name of Spectrum, and is part of the Mighty Avengers team, acting as their field commander. For some, Rambeau is the definitive Captain Marvel, and while she is both a major female member of the Avengers and a real heavy hitter, she is not the Captain Marvel who will be headlining her own Marvel movie.

Now, Genis-Vell, Marr-Vell's genetically engineered son, had a hard time as the Captain, going mad and destroying the universe (he did fix it up again though). Genis took the name Photon (requiring Rambeau to change her name again, and yes, this is confusing) leaving the captaincy open. It was taken next by his sister, Phyla-Vell, who came to exist as part of the strange effects of Genis's recreation of the universe. Phyla's name is a terrible pun of the part of writer Peter David. She has since become known as Quasar and then Martyr, became one of the Guardians of the Galaxy, and died in battle. The fifth Captain Marvel was a Skrull sleeper agent known as Khn'nr, a shape-shfiting alien who took on the identity of Marr-Vell. The Marr-Vell identity became dominant, so for a short time it was as if the original Captain Marvel was back. He died too.

Marvel Boys and Marvel Girls

While Captain Marvel didn't come to Marvel until relatively late on, Marvel-monikered heroes graced its pages even before it was called Marvel Comics, back when it was called Timely Comics, and then Atlas Comics. The first such character was Marvel Boy, aka Martin Burns, a young man who wielded the power of Hercules in the Forties. In fact, there were two Martin Burnses, according to the official Marvel history, an attempt to make sense of two wildly contradictory origin stories. Supposedly they were both active under the name Marvel Boy at the same time, because this isn't confusing enough. In the 50s, Robert Grayson received cosmic bracelets from the Eternals to become Marvel Boy in his own title from Atlas Comics. And he grew up on Uranus. This Marvel Boy was revived in the 70s and revamped as the Crusader, and become part of the superhero team the Agents of Atlas in 2001. His bracelets were later donned by Wendell Vaughn, who became the next Marvel Boy, later Marvel Man, and finally Quasar. Yes, this is also the name later taken by fourth Captain Marvel, Phyla-Vell, after she acquired the cosmic armbands.

The fifth Marvel Boy was Vance Astrovik, a mutant who later took on the hero name Justice. To be extra confusing, another version of Vance Astrovik better known as Vance Astro became a member of the original Guardians of the Galaxy in an alternative timeline in the 31st century. The two Vances have even met up and worked together. The original Vance was followed by another mutant, the even more powerful David Bank. The best known Marvel Boy, however, was Noh-Varr, another member of the Kree race. He sided with the Earth during the Skrull invasion and took on Norman "Green Goblin" Osborn's offer of joining his "Dark Avengers," becoming the sixth carrier of the title of Captain Marvel.

There have been four Marvel Girls. The first was the mutant girl Jean Grey, founding member of the X-Men and also known by the name Phoenix, although generally referred to, unusually, by her given name in most things these days (particularly on TV and film). She was, of course, played by Famke Jansen in the Fox X-Men movies although will presumably be recast for X-Men Apocalypse. Jean Grey has died numerous times, and it never sticks. She and her husband, Scott Summers aka Cyclops, share some of the most convoluted storylines and family tree in the Marvel universe, covering multiple alternative timelines and potential futures. Their daughter Rachel, from one such future, is the third Marvel Girl. The second was Valeria Richards, the daughter of Reed Richards (Mr Fantastic) and Sue Storm (Invisible Girl/Woman) in yet another alternative timeline. There was also a fourth Marvel Girl in yet another alternative future, Dream Richards, the daughter of Rachel Grey and Franklin Richards, Valeria's brother. A proper Marvel family.

Ms. Marvel

Carol Danvers, a USAF officer, debuted in the 60s in Marvel Super Heroes, where she was caught in an explosion alongside Marr-Vell. Although injured, she absorbed some of his Kree DNA, since this is what happens in explosions in comics. Now equipped with flight, super strength and other abilities, she took on the name Ms. Marvel, and received her own title. Danvers has gone through some pretty horrendous stuff in her long comics career, including an ill-judged rape storyline and a twisted encounter with the X-Man Rogue, which ended up granting Rogue enhanced powers but also carrying round a copy of Danvers in her head. Danvers later received enhanced powers at the hands of another alien species, and took on the name Binary. She's also been known as Warbird, but eventually settled back into being Ms. Marvel. Danvers first got the title of Captain Marvel in another alternative reality, in the House of M event, before finally taking on the position in the mainstream comics run in 2012. Since then, the Danvers-headed run of Captain Marvel  has become enormously popular. As well as being a member of both SHIELD and the Guardians of the Galaxy, Danvers has been the subject of continual fan requests for the cinematic treatment. And so it is this Captain Marvel who will be getting her own major movie release in 2018, as part of the third phase of the Marvel Cinematic Universe.

This has of course left a vacancy for the position of Ms. Marvel. Although there have been two other shortlived Ms. Marvel's in the past - Sharon Ventura, who later mutated into the She-Thing, and Karla Sofen, better known as Moonstone, who became the evil Ms. Marvel as part of the Dark Avengers. The current Ms. Marvel is Kamala Khan, a young Pakistani American girl who sees Danvers as her idol, and takes on the name after her Inhuman powers are triggered. Given that both Captain Marvel and the Inhumans have movies coming up (and the Inhumans are also involved in Marvel's Agents of SHIELD on the TV), it's not impossible that we'll see Kamala on screen sometime.

It's also worth briefly mentioning that Danvers appears in other Marvel lines, set in yet more alternative timelines. The Ultimates line features a non-superpowered Captain Danvers who is at one time involved with Mahr-Vehl, the Captain Marvel of that reality. She also features prominently in the Marvel Mangaverse, in which she actually becomes Captain America. As Captain Marvel, though, Danvers is probably the premier female superhero of the mainstream Marvel line. I mean, she represents the Earth to the universe at large, that's pretty impressive.

The Marvelman Debacle

Although most committed comics fans get their comics from specialist shops that import them from the States, there's a tradition of British publishers selling reprinted American comics in newsagents on the high street. Fawcett's Captain Marvel and its spin-offs were published here by L. Miller and Sons. Ltd, who found themselves in a pickle when Fawcett cancelled their entire line following the dispute with DC. So Miller's simply produced their own knock-off version of the good Captain, under the name Marvelman. This was young Mickey Moran, who received his powers from an interstellar wizard-scientist and became Marvelman when he uttered the word "Kimota!" (atomic backwards, sort of). He got his own version of the Marvel family, with Dicky Dauntless as Young Marvelman and Johnny Bates as Kid Marvelman, each swapping their child bodies with superpowered adult forms when they exclaimed "Marvelman!"

The original Marvelman run carried on till 1963, when it was canned. It was revived in 1982 by Dez Skinn and Alan Moore for the first issue of Warrior, an anthology comic in the vein of 2000 AD. Having already revamped the poorly conceived Marvel character Captain Britain (which included another version of the Marvelman character, briefly glimpsed as Miracleman in another timeline), Moore began his career defining deconstruction of the superhero genre by crashing wholesome hero Marvelman into the real world. The adult Mike Moran, plagued by nightmares from his forgotten time as Marvelman, rediscovers his powers. His journey of discovery leads him to Johnny Bates, who has remained in his Kid Marvelman guise through the years and matured to become supremely powerful. Forced back to be thirteen-year-old Johnny, he suffered horrific bullying and sexual abuse in the children's home he as dumped in, leading to another devastating resurgance of Kid Marvelman's powers. 

The new Marvelman strips were sold to American publishers Eclipse, whereupon they gained the attention of Marvel Comics, who, as with DC, took exception at their use of the Marvel name. Eclipse changed Marvelman to Miracleman, with the rest of the new Marvel family changing in kind. There was also a version of Mary Marvel, named Miraclewoman, created when young girl Avril Lear was experimented upon to create a superpowered being in the nature of Marvelman/Miracleman. Moore left the comic and it was continued for some time by Neil Gaiman. After an unpleasant dispute over creators rights between various parties including Spawn creator Todd McFarlane, the collapse of Eclipse comics and his purchasing of their properties, and legal ramifications regarding the purchase of the original Marvelman material, Miracleman was scrapped. Just recently, however, Marvel have purchased the Marvelman back catalogue, although the reprinted Miracleman retains the Marvel-less name. A weird upshot of this is that Gaiman is now writing for Marvel and has sold them the rights to his Spawn character Angela, who is now part of the Guardians of the Galaxy and set to join the Avengers. Gaiman will be continuing the Miracleman story in new issues. 


So, there are, currently, two characters called Captain Marvel. Carol Danvers is the Captain Marvel who belongs to Marvel Comics, used to be Ms. Marvel, and will star in the movie Captain Marvel. Billy Batson is the Captain Marvel who belongs to DC Comics, whose comic and upcoming movie are called Shazam! and who is officially called Shazam himself. Marvel comics still have a Ms. Marvel and sometimes a Marvel Girl, and while they now own and publish Marvelman, they're still marketing him as Miracleman. It's quite straightforward really.

Thursday 4 December 2014

The Many Regenerations of the Doctor

Had to share this piece of work by Stratos06th aka South Park Taoist. I'd fancied making something like this myself, but I could never have made something as good as this. While there are plenty more Doctors who could have been included on here, I think the artist has drawn the line at the right place. Any more would make the chart too busy, and I love the little inclusions of pastiche characters and mythic equivalents of the Doctor that wouldn't fit if, say, all the Morbius Doctors had been included separately. It's a great piece of work. Click to embiggen.

On filth

“Pornography is the canary in the coalmine of free speech: it is the first freedom to die. If this assault on liberty is allowed to go unchallenged, other freedoms will fall as a consequence.” Myles Jackman, UK-based obscenity lawyer

As reported by The Independent on Tuesday, a large number of sex acts have been made illegal in pornography on the United Kingdom, in an amendment to obscenity laws that was quietly rushed through parliament. In actuality, these acts were already illegal to portray in materials on DVD and video, and have been for some time. The new amendment simply brought the rules pertaining to video-on-demand pornography into alignment with the materials that can be sold in sex shops. It's a crock, of course; the law only affects materials produced in and streamed from the UK; the majority of porn sold in Britain is imported and has been for some time, due to the fact that it can legally show elements that homegrown material cannot.

The list of acts now banned from all forms of British pornography is as follows:

  • Spanking
  • Caning
  • Aggressive whipping
  • Penetration by any object “associated with violence”
  • Any physical or verbal abuse (regardless of consent)
  • Urolagnia (water sports)
  • Role-playing as non-adults
  • Physical restraint
  • Humiliation
  • Female ejaculation
  • Strangulation
  • Face-sitting
  • Fisting

The list is arbitrary in the extreme, bereft of any logic. The final three have been blacklisted as being “potentially life-endangering,” and while it is possible to see why they might be viewed as such, it would take a high degree of incompetence, stupidity and bad luck to die by any of these means. Other items on the list could not possibly be seen as dangerous. Spanking? Surely one of the most common and harmless forms of light S&M play, now apparently an obscene act. Dirty talk is seemingly out, penetration by a hazily defined type of object no longer permitted, even handcuffs are apparently unacceptable as items of physical restraint. There's also a very unplesant tone of misogyny to the list. Face-sitting and humiliation make up a significant part of femdom play. Most bizarre and alarming of all is the criminalisation of female ejaculation. Seemingly the compilers of the list consider it to be nothing more than a pornographic act, as opposed to a natural consequence of orgasm for many – although far from all – women. Presumably any female performers will have to ensure that they do not enjoy themselves too much, lest they achieve an explosive orgasm and invalidate their videos for sale.

There appears to be no issue taken with male ejaculation, or forcible male-dominant acts such as face-fucking, actually a more dangerous activity than face-sitting. There is also a complete lack of any consideration of consent. All that appears to matter is the appearance of consent, of two partners who engage in equally-levelled play, with no dominant or submissive party.

The laws won't affect the majority of people. Many, many members of the British public view pornography, mostly online, but the laws will not prevent them from downloading or streaming material from other countries, or prosecute them for viewing such material that has been produced in the UK against the law. At least, not yet. It's very clear to see that it would only take a small amendment to the law to block materials from other abroad or to criminalise the viewing of materials. Even as it is, scores of performers, professional and amateur, will now be unable to make money from or take pleasure in producing videos of these activities, in spite of having broken no laws in the process of engaging in such acts.

I watch porn. I enjoy it. I know a couple of people – women, as it happens – who perform in it. I also enjoy some of the acts on the list. Others are not things I enjoy partaking in or watching, but then, I don't have to. I simply have to let others do what they enjoy and not worry about it a moment longer. Now, however, my government has passed a law stating what is and is not considered morally acceptable to gain pleasure from. It is worrying to think that it's only a small step from banning the broadcast of these acts to criminalising the acts themselves. We should remind ourselves that it was only a few decades ago that any homosexual activity was illegal in this country, due to a moral decision by our government.

In a perverse attitude resemblant of those of the Victorian era, it seems that the fact of consent is not what matters, but merely the appearance of it. It's about propriety, not protection. Better to have a regulatory system that would work to ensure that those performing in pornography were doing it consensually, rather than attacking the industry itself.

And let us not forget that this is decision by a government facing investigation for historic abuses of children. A country in which a vast paedophile ring at the highest levels of government and the media industry was kept secret for decades by coercion, bribery and murder. A legal system with a long-standing systemic inability to criminalise and punish rapists, which continues to victimise the survivors of abuse. Rather than focussing on exposing, punishing and stopping genuine abuses of consent, of looking inward and taking scrutinising their own houses, the government would prefer to remove one more freedom from the general public.