"Apocryphal stories too strange for even AHistory."
Deciding what parts of a fictional universe “count” is a rum game, all the more so in one as long-running and inconsistent as Doctor Who. AHistory has expanded since its first remit to include all manner of spin-offs and expanded universe material, but there's still a huge selection of officially published and broadcast Doctor Who that is essentially impossible to fit into the overall narrative. Not that this is any indication or reflection of quality: Time-Flight is inarguably canonical, but is absolutely awful, while there are very good reasons to discount The Infinity Doctors, The Kingmaker , Happy Deathday and Full Fathom Five in spite their clear brilliance. Parkin and Pearson take a similar approach to me, which is that everything counts, as long as it can be squeezed in there somewhere. UnHistory, then, includes all the other things that we really can't squeeze in to the “real” Whoniverse. Fiction that is, somehow, even more fictional than the rest.
Deciding what parts of a fictional universe “count” is a rum game, all the more so in one as long-running and inconsistent as Doctor Who. AHistory has expanded since its first remit to include all manner of spin-offs and expanded universe material, but there's still a huge selection of officially published and broadcast Doctor Who that is essentially impossible to fit into the overall narrative. Not that this is any indication or reflection of quality: Time-Flight is inarguably canonical, but is absolutely awful, while there are very good reasons to discount The Infinity Doctors, The Kingmaker , Happy Deathday and Full Fathom Five in spite their clear brilliance. Parkin and Pearson take a similar approach to me, which is that everything counts, as long as it can be squeezed in there somewhere. UnHistory, then, includes all the other things that we really can't squeeze in to the “real” Whoniverse. Fiction that is, somehow, even more fictional than the rest.
This
has led to some odd decisions about what to include. Scream
of the Shalka was included in
the first edition of AHistory,
before being omitted from follow-ups as apocrypha, and finally
included here. The Unbound audios
have been omitted from all editions of AHistory as
“elseworlds” type stories, but the recent crossover of the David
Warner Doctor into The New Adventures of Bernice
Summerfield has led to them
being included as “real,” albeit alternative, adventures. Thus,
none of them, not even the metatextual Deadline,
make it into UnHistory.
Other stories' inclusion here is inarguable: few fans seriously try
to include the 1960s Dalek movies into the Doctor's timeline, nor the
early comics strips featuring Doctor Who and his ugly grandchildren.
Nonetheless, this hasn't stopped everyone, and in a fictional
multiverse filled with time travel, parallel timelines, temporal
duplicates and a Land of Fiction, virtually everything can be made to
fit somehow. Indeed, Peter Cushing himself had some very novel ideas
as to how his two movies could be incorporated into the Doctor's
timeline.
UnHistory
includes
such exciting adventures as the strips from TV
Comic, TV Action and
Countdown, The
Dalek Book, The Dalek World and
The Dalek Outer
Space Book,
The Curse of the
Daleks, Seven Keys to Doomsday, The
Cadet Sweet Cigarette Cards, Choose-Your-Own-Adventure style stories
(often with multiple endings) and much more. After dismissing most
short stories from AHistory
on
grounds of space and sanity, Short
Trips and Side Steps and
even the many Doctor
Who annuals
have entries here (as such, this makes a wonderful companion to
Obverse Books' The
Annual Years by
Paul Magrs). TV broadcasts that we may wish to forget, from A
Fix With Sontarans and
Dimensions in
Time to
sundry adverts are included. The authors have made a somewhat
arbitrary decision where to draw the line when it comes to the
various sketches and skits broadcast over the years, but they've got
to draw it somewhere. The traditional inclusion of a Gallifrey
section to the timeline allows them to include otherwise undateable
but absolutely essential stories such as The
Curse of Fatal Death into
the mix.
As always, Parkin and Pearson have gone to exquisite and absurd
lengths to date the stories, which is all the more
commendable/ridiculous (delete according to taste)when the whole
point is that these stories don't fit. It's a work that revels in the
absurdity of its premise, and as always, shows its working, however
contrived. Occasionally a year will appear in the wrong spot or an
index entry will be conspicuous by its absence, but this is a tiny
quibble in such a huge work such as this. So, if you ever wanted to
know how “The Monster Files” fit into the mix or when the events
of “The Not-So-Sinister Sponge” took place, or if you're just a
geek with a sense of humour or too much time on their hands, this is
the book for you.
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