A Wrinkle in Time is
one of those books that it took me ages to get around to reading.
Part of this is that it's just never been the huge hit in the UK as
it is in America, where it's a commonly read book in schools and the
favourite childhood book of many. I finally read it a few years ago,
reading my friend's battered school copy on a visit to the States.
It's a beautiful book, a wonderfully creative and empowering story
for youngsters, about courage and acceptance, and while it's clearly
very heavily influenced by Madeleine L'Engle's strong Christian
beliefs, it's about being open to other cultures and ways of doing
things.
Given
its reputation, it's surprising the novel hasn't been adapted for
cinema before now. Disney made a previous attempt, a fairly terrible
TV movie fifteen years ago, and there have been various stage
versions, even an opera. Still, a big budget treatment seems well
overdue for such a rich fantasy story. Disney's new treatment has
skirted some controversy, having removed the Christian undertones and
also cast the Murrys as a mixed race family, with predictable results
in some quarters (don't read the comments sections on any site
covering the movie, unless you enjoy reading white men crying over
how casting black people in these roles is somehow “racist”).
To be
fair, while the race of the central characters isn't actually
important to the story as such, having a mixed race family in such a
prominent Disney production is a big deal, and it represents a move
forward in both race and gender representation in front of, and
behind, the camera. There are more films lately with heroic female
protagonists, but how many where the hero is a young girl of colour?
Added to which we have Gugu Mbatha-Raw playing her mother, Dr. Kate
Murry (it would have been extremely unusual for a black woman to hold
a prestigious academic position in 1960 when the book was written,
albeit not unheard of, but while it is less remarkable now it is
still something of note). Behind the camera is Ava DuVernay, the
first black woman to direct a megabudget film (a production with a
budget of over $100 million). While not the point of the film, the
multiracial production is worth celebrating.
The
cast is impressive throughout. Storm Reid is central as Meg,
devastated by the disappearance of her father but still a gifted and
exceptional young girl. She goes through more of a developmental
journey here than in the book, learning to accept both her strengths
and weaknesses and massively improving her confidence as she goes
through her adventures. This is the sort of character arc only boys
usually get. Her younger and even more remarkable brother, Charles
Wallace, is played by Deric McCabe, with a very assured performance.
Charles Wallace, here an adopted member of the family rather than
Meg's biological brother, is such a genius that he innately
understands the motions of space and time that allow the characters
to “tesser” across the universe.
Gugu
Mbatha-Raw is as excellent as always, while Chris Pine makes a strong
impression as her husband Dr. Alex Murry, the brilliant but
headstrong physicist (or perhaps metaphysicist) who loses himself
across the universe. After his performance here, I can finally see
him as playing Captain Kirk long into career, as Shatner did. We also
have a strong turn from the young Levi Miller as Meg's new
friend/potential boyfriend Calvin O'Keefe, who takes on some of her
more openly adventurous spirit from the books, while she takes on his
lack of trust.
The
alien cast is an unusual one. Reece Witherspoon is absolutely not how
I imagined Mrs. Whatsit, but her scatty, irritable mad woman next
door works really well, and in fairness, Witherspoon is far weirder
than her usual roles ever let her be. Mindy Kaling, who more often
performs voice-only roles, here plays the largely silent Mrs. Who,
who only speaks in wise quotes, like a sort of living meme. The
strangest casting is that of Oprah Winfrey as Mrs. Which, a decision
I was quite ready to mock. I'm not the biggest fan of Oprah, by a
long chalk, but she's actually really very good here, as the powerful
and noble alien. She's another major divergence from the novel,
though, in which Mrs. Which is mostly unseen and incorporeal,
although having the movie version unable to settle on a reasonable
size when she first manifests is a nice touch.
There
are other major changes. The Murry twins are gone completely,
although their role in the novel is not particularly vital and can be
absorbed by other characters. The sidetrip to the planet Ixchel is
excised completely, meaning that we miss out of the incomparable Aunt
Beast. The Happy Medium is still there, thankfully, but played
unexpectedly by Zack Galifianakis and quite unrecognisable as the
same character. The events on the dark planet Camazotz are very
different as well, although suitably unsettling and exciting.
Overall,
I'm left with the conviction that this film just doesn't feel like A
Wrinkle in Time. It's a very
different thing to the book, and I can imagine that most of the
book's committed fans will find it hard to love this. However, I
found it very enjoyable, as a family fantasy film in its own right,
and it's certainly a visual treat, with strange vistas from across
the universe. Watch it with your daughter, or if you're man enough to
watch a film targeted at little girls.
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