The Sandman never
needed a prequel series. Really, it never needed any sequels,
spin-offs or additional volumes at all, being a perfectly told epic
in itself. Nonetheless, some of the extra material has been amazing,
not least Death: The High Cost of Living and
the original run of Lucifer.
Having Gaiman back to write the untold backstory of Dream's
imprisonment that created the entire story of The Sandman
is exciting, but there's always
the risk, as with anything of this nature, that the result will be
disappointing. The Sandman was
so remarkable that any attempt to revisit it will struggle to
recapture the magic. Going back to explain it all is even more
dangerous, since the mystery of the Endless and their origins is
crucial to the appeal of the story.
A
troubled publication schedule put me off Sandman: Overture
about halfway through, but I
suspected that it would read better in collected form. It's taken me
a while to actually get round to picking the trade up, but now I have
done, and I can happily confirm that Overture is
a worthy successor (should that be precursor?) to the original
Sandman. Gaiman pulls
together a story on a truly epic scale that only really shines
through when taken in as one mighty volume. It's also vital that it
be read in good old-fashioned paper format, since J. H. Williams uses
an artistic style that goes everywhere, in every direction, and at
several points requires the book to be rotated or flipped upside-down
in order to follow the sequence of events or dialogue, and that just
doesn't work on a computer screen.
Williams's
artwork, in combination with Dave Stewart's colours, creates a bold
and powerful visual universe which is vital for Gaiman's storytelling
to shine through. The key word for this story is scope. So many
prequels fail by limiting the imagination of the reader/viewer by
filling in too much of what might have come before. Overture
expands the Vertigo universe,
taking Sandman into
broader, more science-fictional realms than before, giving everything
a truly cosmic feel. Taking place, as Gaiman says, after Endless
Nights and before Preludes
and Nocturnes, Overture
twists history around and brings
Dream's new incarnation, Daniel, into the storyline in a vital
aspect. The risk of limiting the character of Dream is averted by the
most celebrated moment in the story, in which Morpheus is brought
face-to-face with infinite variations of himself, in all manner of
guises.
Overture takes
on Endless Nights's
best story and expands it by revisiting the City of the Stars, a
realm that truly appears to be constructed from light, and makes it
the core of the story. Billions of years earlier, Dream, or an aspect
of him, failed to snuff out an insane star, leading to the imminent
destruction of the universe in the present. Through his quest to put
things right we visit more realms than ever before, with the other
Endless taking part in events in different roles. More contentiously,
we meet Dream's parents. Given that the Endless are siblings, it
makes sense that there would also be parents involved, but their
existence as distinct characters could have been the worst thing for
Gaiman to show. Instead, Father Time and Mother Night are depicted as
enormously powerful and remote beings who add to the mystery of the
Endless. (They may also be viewed as the DC equivalents of Infinity
and Eternity, and Gaiman's enough of a Marvel fan to have intended
this.) There's even Dusk, who might just be another sister of the
extended Endless family.
Even
with the universe tearing itself apart in entropy and war, Gaiman
keeps the story working at a personal level by pairing Dream up, for
much of the voyage, with the orphaned alien girl, Hope Beautiful. To
begin with she comes across as a slightly twee, spunky kid, but
avoids becoming a generic character by meeting her own tragic end and
then playing a vital
part in the revitalisation of the universe. The balance between the
cosmic and the personal is balanced well, reflecting how Dream is at
once a small, flawed individual and the very essence of imagination
in the universe.
Overture is
far stronger when read as a novel, rather than a series of issues,
and skirts that fine line between telling us too much and telling us
just enough to keep the mystery interesting. I could definitely stand
to see no more Sandman ever
after this, though; Overture
bookends The Sandman in
a perfect ouroboros that should never be broken.
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