The popular image of James T. Kirk is
greatly at odds with the character as originally conceived and
presented. The idea of Kirk as a galactic lothario, a maverick
captain with no respect for the rules is one that evolved out of the
later episodes and films, further embedded in the public
consciousness by many parodies. The version of Kirk we meet in the
Abramsverse movies – womanising, rebellious, disrespectful and
unrepentant – is a world away from the youthful Kirk we heard about
in the first season of Star Trek,
a studious, rule-bound young man who was still quite restrained even
when he took command of the Enterprise.
Amusingly, the Abramsverse version of Kirk is far more like Picard
was at the Academy than the Cadet Kirk of the Prime timeline.
With
The Captain's Oath,
Christopher L. Bennett provides his own account of Kirk's early time
as a starship captain. It's far from the first such attempt; aside
from the 2009 movie's alt-timeline version, there's Enterprise:
The First Adventure by the late
Vonda McIntyre and various flashbacks in the comics over the years.
Still, it's an under-explored part of Star Trek's
history, and Bennett provides what might be considered the definitive
version, at least as far as the literary continuity is concerned.
Rather than focus
on one particular mission, Bennett provides an array of adventures
from Kirk's early career, all of which shape him into the man we see
in “Where No Man Has Gone Before” and Star Trek's
first season. Some of these – such as the rescue of the pre-warp
Chenari people from imminent extinction – we've heard of before in
passing. Others are entirely new inventions by the author. The novel
is split into three main timeframes, covering Kirk's first command
posting on the USS Sacagawea,
a planetside posting and return to the Sacagawea
and his eventual award of the command of the Enterprise.
The story jumps back and forth
between these timeframes, with the consequences of events sometimes
being revealed before the events themselves. It's a deftly plotted
book, and Bennett handles the multiple storylines well. He makes it
look easy, which is the mark of true skill.
We meet various
characters, both recognisable and new. It must have irresistible to
portray the first meetings between Kirk and McCoy, Spock and Sulu.
They feel at once momentous, due to what we know of the characters'
futures, and ordinary, just another day on the job. We know what's
coming, but the characters don't. Their storied futures are still to
come. We also get to spend a great deal of time with Gary Mitchell, a
character who is far more like the clichéd version of Kirk than the
man himself. Of the original characters, my favourite is Rhenas
Sherev, an Andorian archaeologist and long-time friend of Kirk, who
recurs throughout the novel's different timeframes. She's a
strong-willed, stubborn character who bucks authority when she's got
a personal mission to complete.
Kirk's various
missions give the novel a real sense of adventure. There are clashes
with Klingons, first contacts and diplomatic overtures. Again, some
of these involve elements fans will recognise – the early
negotiations with the Acamarians from “The Vengeance Factor”, for
example. Others are wholly new, included an ingenious sidestep to the
planet Nacmor, a world at a 20th/21st century
level of development where fictitious alien invaders are being used
to keep the populace in line. Along with a later storyline involving
the Aulacri, the problem of misinformation, whether it's withholding
facts from the people or all-out “fake news” is a running theme.
There's one plot
thread that runs throughout the novel, impacting multiple worlds.
Without wanting to go into too much detail, because the fun is in
discovering the truth along with the characters, it involves a new
alien race that are novel in conception, and potentially pose a major
threat to the Federation. As is often the case, though, things are
not as they seem, and again Bennett uses a sci-fi setting to discuss
the problem afflicting the USA and the world at large today. Exactly
what Star Trek should be
doing.
Throughout
the novel, Kirk learns some sober lessons about command, learning
when to follow orders, when to protest, when to stick to his guns,
when to let others change his mind. He becomes less rule-bound, more
willing to bend the rules or even break them, but only when it's the
right thing to do. We see the impact his more relaxed friends and
colleagues have on him, but never does he stray from the truer
representation of the character that Bennett is striving to recreate.
Like much of
Bennett's work, there's a clear intention to fill the gaps in Star
Trek's history. Along with the
many references and appearances by familiar elements, it steers close
to fanwank, but the overall impression is that Bennett is someone who
has really thought about this fictional universe and how it could
work. For all the intellectual exercises and introspection in this
novel, it's also tremendous fun.
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